I’m having some serious Sleepy Hollow withdrawals.
Just sayin’. . .
Wonderful post about character building.
As an agent, I look at a lot of different things when I’m reading submissions — strong writing, engaging story, excellent build up of suspense, and compelling characters. These are all important, but that last one in particular can really throw me out of a read if you haven’t managed to create a realistic, believable protagonist, or if your villain comes across as flat. It would be impossible for me to compile a comprehensive list of all the ways I see characterizations go astray, but I will focus on some of the most frequent issues to give you a place to start.
One of the most common problems I see with characters — especially the protagonist — is that they ultimately come across as far too perfect. Because they are often driving the story, they succeed too easily in order to allow the author to move the plot forward. Whatever obstacles…
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By Chuck Sambuchino
My Writer’s Digest coworker, Brian A. Klems, recently geared up for the release of his first book — a humorous guide for fathers called OH BOY, YOU’RE HAVING A GIRL: A DAD’S SURVIVAL GUIDE TO RAISING DAUGHTERS (Adams Media). On top of that, my coworker Robert Brewer (editor of Writer’s Market) recently got a publishing deal for a book of his poetry.
So I find myself as a cheerleader for my writing buddies — trying to do what I can to help as their 2013 release dates approach. I help in two ways: 1) I use my own experience of writing & publishing books to share advice on what they can expect and plan for; and 2) I simply do whatever little things I can that help in any way.
This last part brings up an important point: Anyone can support an author’s…
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